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Blues Spake Zarathustra

by Richard Carlson

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1.
Laid out in Prison betrayed by a Visigoth king my mind began to wonder, my thoughts started fashioning in a cell locked away, a pondering Aristolean Plato from Socrates and the footnotes of philosophy, are all chasing dialectic round while Fortuna spins us on a wheel of history “a sorrows crown of sorrows” if you cling to the transitory Lead us not into temptation but, deliver us from evil and misdeed from Rome to Constantinople reconcile us in belief But, prepare yourself to deal with a miracle for a glimpse beyond the empirical Lord have Mercy, have mercy and redeem lord have mercy, have mercy if you please send me down thy angel the consolation of philosophy.
2.
Oh Lordy, Lord I lay my sorrows down I surrender my blues in the chapel of of cathartic sound yes, I seek transformation baptized in the river of immanent vibration Tell all my Buddies, tell all my Friends in town to spread the news that if compassion is to be found delve within the worlds creation that path you ‘ll walk towards liberation Brothers and Sisters let the message resound and wash the blues from your faces and your frowns the tears of this world’s situations I offer up for each and all’s salvation
3.
The departed gods are not completely departed and the present ones not fully here yet the poet remains on the trail of those absent gods and through language draws them near, re-ensouling the world of ordinary things outside the circulation of technology Poetically dwells the human though difficult to conjure the name of... God or to orient oneself toward death..... as it draws nearer by clearing a path toward Alethia relocating Dasein’s unconcealment of Being in Time Anxiety in the face of thinking forgetting into an oblivion of being at the end of an age where thinking has failed. terrorized by the abandonment of meaning but, where there is danger so the saving power also must but “only a god can save us” (1)
4.
Hover on Hover on my little hummingbird; hover on till the summers gone when hummingbirds go south to conspire nesting over in southern shelters partaking of the fruits along the Mississippi Delta Fly on, Fly on, my little nightingale; fly on sing until the break of dawn when nightingale's retire dream a dew drop dream through the day then vanish again in to another nights play Sail On Sail On my chickadee; sail on on a pollen song of apple blossoms and desire take a sweet taste of floral nature then dance a dance of honey rapture Looking on, Looking on a hidden companion, a veiled “purusha” as if a secret soul an audience for the dance, song, mating yet, not partaking of the dew drop, fruit or flower your witness self watching from a bough watchtower
5.
A rolling stone, a rope between beast and overman poised beyond good and evil to the sun he speaks this cup is again going to empty itself, and again I am going to be a man. thus began Zarathustra’s going down. Wage war against a slave religion sometimes your so wrong that your right when your mind departed it was the assumption of the antichrist in those last lucid letters signed Dionysus or the Crucified you had come to know your fate was not man but dynamite Thus spake Zarathustra ‘Once you said “God” but, now I come, come to teach you now... overman And if god is dead, would it be your body torn to shreds... its just the chaos of who you are, that gives birth to a dancing star (3)
6.
Commedia 02:36
Enter into the luminous crypt of soul in the hour before dawn, before the gods awake (4) Virgil I’ll follow in dark wood diverging with shadows , chiaroscuro patterns of light whose tortured lives are tapestries stitched upon our mortal shell Infinity’s skin stretched taut across a mask of time, tautologies of form, elastic in the mind of night Virgil i’ll follow up a mountain converging at the summit of an earthly garden of delight poised above our purgatories Walk out with the mother of radiances a traveler of worlds, ascending an occult stair Beatrice, i’ll follow unto the stars my will and desire turned like a wheel by Love (5) in a triad of epiphanies toward the vectors of paradise
7.
The rain it raineth everyday the rain it raineth everyday as soon as one storm passes the next wave is on it’s way The sun slants low on the horizon the port of angels on a winters day mist filters through brick, moss, and mortar tobacco ghost stains swirl in stale tavern water Down and out bards and old growth graveyards x 2 blue collar sweat chlorine tears swell this harbor the sawdust voice echos of Raymond Carver The rain it raineth everyday the rain raineth everyday from first October till the end of May until the sun pours down like honey in summer, when lights worth more than drink or money
8.
Before you expect it from anyone else so treat yourself with care a Stoic chin to danger, skeptical, not making a fuss following the ways of Seneca If you whet your appetite with desire be sure you know how to put out the fire Know Yourself, no one else gonna be your Oracle of Delphi it’s never too early or late for knowing your self and soul gazing a purification of thoughts and such indulge your appetite with Epicurus If you discipline your desires you’ll cleanse your senses with fire Write Yourself a letter inscribe your heart’s doubts for the better keep a diary of your sin take care of yourself, start philosophizing avoid temptation and Philistines take down some wisdom from St. Augustine but take care, when confessing what you desire be careful not to put out the fire Chorus: a cold docile body who enacts the schemes, of subjects disciplined by knowledge/power regimes so take care those technologies of inner subjugation require critical interrogation
9.
Even if your gone you will still be there to shake it up Shake it shake it shake up shake, shake, shake it up, Your endless boogie lives on thrilling the ages sure enough sure enough sure enough the Akashic chronicle (7) of the blues sage Scratched into the grooves of a side a side of life wandering thru the “vale of soul making”(8) rocking the night with song our ancestors rising up Rise, rise, rising up rise, rise, rising up Your blues legacy is now our cosmic memory Shake, shake it up shake, shake shake it up
10.
Blues in the dark night of soul a cry from the dark. reckoning with the soul of a bluesman, born between feces and blood born to know thyself born under a good sign of bluesman, bluesman Desire in the face of death a cry from the heart that outlasts the worm in woven blades of grass endure the raw stinky stuff of history yet allow suffering to sing out the condition truth demands answer sorrow with a song & shout bluesman, bluesman Blues evolves, thats jazz another a mode of being in the world fluid, protean, eschews totalizing either/or... views bluesman, bluesman of the mind (9) Corpses decompose.... thats philosophy I talk rhythm timbre tones improvise thru blood and bone pondering on the mysteries I allow suffering to speak out the condition truth demands wrestle with death in the shadow of doubt bluesman, bluesman
11.
A gracious Spirit sings as it comes and goes. It moves forever among things. Earth and flesh, passing into each other, sing together turned against that ,,,,, song we go where no singing is or light or need coupled with its yes but spite, despair, fear, and loneliness unless the solitary,,,,, will forbear, time enters the flesh to sever passion from all care annul the lineage of consequence un-less the solitary will forbear the blade enters the ground to tear the world’s comfort out, by root and crown
12.
The Wheel 2: Dance (free) 02:01
The dance and the song call each other into being. soon they are one-rapt in a single rapture, so that even the jig has its clarity, And time is the wheel that brings it round. In this rapture the dead return sorrow is gone from them. they are light. They step into the steps of the living and turn with them in the dance in the sweet enclosure of the song, and timeless is the wheel that brings it round.

about

“Is it not possible that by calling to our aid the musical relation of
dissonance we may meanwhile have made the difficult problem of the
tragic effect much easier? For we now understand what it means to
wish to see tragedy and at the same time to long to get beyond all
seeing” -Nietzsche, The Birth of Tragedy XXIV

To try to make sense of a world in which fragile bodies collide with primal forces and inevitably fall is to do philosophy. To give voice to the many small truths of the world by allowing its suffering to speak out is to aspire to poetry. If the work of tragedy is to aestheticize suffering the blues was there at the birth of tragedy. While blues music fits within a world tradition of folk music it also shares a history with great literature, philosophy, poetry. Our project here is to begin to explore this shared history. r

credits

released November 24, 2010

Richard Carlson - Vocals, Guitar, Slide Guitar, Throat Singing 
Buddy Mohmed - Contrabass, Guitar
 
with
Cheryl Arena - Harmonica  
Julie Bonk - Piano 
Robert Calabria - Tenor Saxophone
Shelley Carrol - Tenor Saxophone, Vocals 
Andrew Griffith - Drums 
Devan Miller - Throat Singing 
Jamal Mohmed - Percussion
Reginald Rueffer - Violin
David Lee Schloss - Tenor, Soprano Saxophone 

Compositions: Music/Lyrics by Richard Carlson (copyright 2010)
Produced and Arranged by Buddy Mohmed
Lyrics The Wheel by Wendell Berry with permission Counter Point Press (copyright 1998)
Sound Engineer - Michael Vazquez 
   
Thanks to Michael & Crystal Clear Studio in Dallas Texas for creating a recording environment that rendered the fine acoustic instruments played on this record transparent or in short for making the technology vanish into the harmonics of the instruments and voices rather than the other way around.....

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Richard Carlson Port Angeles, Washington

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